CV – the BIG LIST

A.K. Krauth

BA Hons Class 1 (A1)

Australia/Norway

(PLEASE ASK DIRECTLY FOR RELEVANT EMPLOYMENT HISTORY)

EDUCATION:

• March 2013 – SAE Institute. Audio department open program.
• June 2012 and July 2013 – ESRI training (through Griffith University staff and researchers program) in ArcGIS.
• 2010 – Bachelor of Arts Honours Class 1 (with Dean of Arts Scholarship) Griffith University. Honours GPA 7.0. (Australian grading system)
• 2006 –Bachelor of Arts, Griffith University. Completed with triple major: Digital and Creative Writing double major; Postmodern Cultural Geography/ Cultural Studies third major;
• 2008 – Radio Metro – News School and Broadcasting School.
• Trinity College London Speech and Drama Academy, grades 3 to 8, with Distinction.
• 2002 – NIDA (National Institute of Dramatic Art) screen acting open program.

MAIN WEBSITES AND SOCIAL MEDIA:

• www.alintakrauth.com – Base website. Artworks and write ups found here
• www.climeart.com – Interactive environmental science art website
• www.treemails.net – Interactive environment and community project
• www.vimeo.com/alintakrauth – Artwork documentation (also on base site)
• www.soundcloud.com/lobaloup – Sound art portal (also on base site)
• www.facebook.com/alintaland – Artwork fan site
• www.facebook.com/treemails – Community space for Treemails project
• www.facebook.com/climeart – Community space for Climeart project

SOLO EXHIBITIONS & SELF-CURATED EVENTS:

• 2017, ‘Under-Mine’. Solo exhibition of interactive display, and five single-channel video artworks. Art Laboratory Berlin, Berlin, Germany. Curators: Regine Rapp and Chris De Lutz. 25^th Feb – 30th April, in conjunction with CTM Festival and Transmediale Festival Vorspiel.
• 2017, ‘Signals’. Projection Mapping duo festival/event atop Mt Fløyen, Norway. Supported by Fløyebarnen AS. Bergen, Norway. 13^th March-25^th Festival organiser: Alinta Krauth.
• 2017, ‘Treemails: Scenic Rim’ interactive netart and app. Supported by RADF grant, Australia.
• 2016, ‘Bioluminous Walking’ projection mapping in national park solo outdoor event. Supported by RADF grant, The Five Senses Festival, and Landcare. 1^st Scenic Rim, Australia. Event organiser: Alinta Krauth.
• 2015, ‘To live with the world, not merely on it’ video art pop-up projection as part of Paris Climate Summit, funded by org. 28^th Nov – 4^th Dec.
• 2015, ‘Climeart’, climeart.com – 6 interactive artworks/downloadable apps, in response to the Paris Climate Summit, focusing on Exxon Corp. With thanks to 350.org.
• 2015, ‘An Argument in Parallel Incompleteness’ interactive art/poetry game, The Old Museum, Jan 10^th, Brisbane, Australia. Curator: Johnny Legobye.

COMMISSIONS AND AQUISITIONS:

• 2018, public art projection sculptures for ARIA development group, Brisbane, Australia. (Forthcoming)
• 2018, series of projection mapped pieces for Fires on top of Mountains festival, Australia. (Forthcoming)
• 2018, ‘Native to Ipswich (working title)’ series of projection mapped pieces for Ipswich Festival, Australia. (Forthcoming)
• 2017, ‘Machinemenomonology (no.1)’, video art/digital fiction, Galway Art Gallery, Galway, Ireland. In conjunction with the Cuirt International Festival of Literature. April 23^rd – April 30^th.
• 2016, ‘The Fingers of a Warm and Careful Android’, Interactive digital literature installation commissioned for and touring Gold Coast Libraries as part of City Libraries digital artist residency. Australia. A series of workshops also given.
• 2016, ‘Skae Plumba (Sky Plumber)’, ‘Glas blong huriken (the glass that belongs to the hurricane)’, new media installations Queensland EcoSciences Precinct SciArt Exhibition, 3^rd August – 25^th Curator: Andrew Grodecki. ‘Glas blong huriken’ acquired by the Department of Science, Information Technology and Innovation. Brisbane, Australia.
• 2015, ‘Depo’d’, commercial commission projection mapping and sculpture piece for The Depo, West End, Australia.
• 2016, ‘If the Forest Wanders’ interactive architectural projection mapping of the underside of a train bridge, Organic Data laneways activation for World Science Festival 2016 supported by Brisbane City Council, Australia.
• 2016, ‘Cartology Apology’ holographic projection installation, White Night Melbourne. (Nuit Blanche). Melbourne, Australia. Curator: Andrew Walsh.
• 2015, ‘Treemails: Bulimba’ interactive community-based netart project, Bulimba Festival, 9^th-15^th Bulimba, Australia. Curator: Debra Hood. www.treemails.net
• 2015, featured artist in ‘Local Now’ exhibition, Ipswich Regional Art Gallery. ‘Over-Mine’ (interactive projection mapping onto sculpture, about mining), ‘An Argument in Parallel Incompleteness’ and ‘Fracktals’ (interactive screen-based work about fracking) – two new works shown. 18^th Sept – 27^th Ipswich, Australia. Curator: Michael Beckmann.
• 2015, ‘Un[tram]melled’, interactive projection mapping commission for Brisbane’s Powerhouse, 27^th May-28^th June, Australia. Curator: Alex Winters.
• 2015, ‘Wind blisters those who try to run’, projection mapping Brisbane’s ‘Old Windmill’, in conjunction with UR{BNE} Festival. April 16-19th. As part of the UN’s International Year of Light.
• 2015, ‘Colonise’ double-sided projection mapping onto sculpture for White Night Melbourne, (Nuit Blanche) Melbourne, Australia. Curator: Andrew Walsh.

GROUP EXHIBITIONS/FESTIVALS (sole author unless otherwise stated):

• 2017, ‘Tree:Mails: Scenic Rim’. Interactive installation. Caring for Country: Ideas for a better future exhibition at The Center, Beaudesert Regional Art Gallery, Australia. Curator: Irene Girsch-Danby. June 16^th – August 30^th.
• 2017, ‘The Nonhuman Subject’. Video art. GrassRoots exhibition at Woman Made Gallery. Chicago, USA. Curator: Deb Flagel. May 5^th – June 17^th.
• 2017, ‘Portals’. Site-specific public commission. Series of projection mapped installations for Bergen Public Library, Bergen, Norway. Event organisers: Alinta Krauth and Jason Nelson.
• 2016, ‘A Virtual Bathymetric’, holographic projection sculpture, Piksel Festival, Norway. 24-27 November. Bergen, Norway. Curator: Mei Szetu.
• 2016, ‘Bindings’ Site-specific rear-projection public display, University of Bergen Library, Norway. Supported by University of Bergen. 9^th November – 7^th Bergen, Norway. Curator: Aud Gjersdal. Event organisers: Alinta Krauth and Jason Nelson.
• 2016, ‘Entropic Texts’ Co-authored with Jason Nelson. Shapeshifting Texts Bremen, Germany. As part of International Conference on Digital Media and Textuality. 3-5 Nov. Curator: Daniela Cortes Maduro.
• 2016, ‘Cartology Apology’ holographic projection installation, The Churchie Art Prize finalists exhibition. QUT Art Museum. 16^th August – 15^th Brisbane, Australia. Curator: Vanessa Van Ooyen.
• 2016, ‘A Long, Wired Paddock’ generative animation based on climate data. Digital Departures exhibition, Caloundra Regional Art Gallery. 3^rd July – 15^th Caloundra, Australia. Curator: Hamish Sawyer.
• 2016, ‘A Long, Wired Paddock’, GLOW Light Festival, Gold Coast, Australia.
• 2016 and beyond, two video artworks featured on Helensvale Library and City Council permanent public projection display: ‘Shadow Blisters’ and ‘To live with the world, not merely on it’. Helensvale, Australia. Curator: Leo Clayton.
• 2016, ‘Shadows blister those who try to touch’ video and sculpture version. Distinguishable from Magic exhibition, East Broadway, NY, USA, plus pop-up exhibition in Troy, NY, USA, 26^th June – 27^th July, run by SciArt in America. Curator: Julia Buntaine.
• 2016, ‘Shadow Blisters’ video version. Metro Arts & 2High Festival of Art, Science & Ideas. Brisbane, Australia. Curator: Jade Ellis.
• 2015, ‘if-notNow, if-then-when-else’ interactive art/poetry html5 exhibited for FONLAD Digital Arts Festival and Web Art Centre. 21^st Nov – 31^st Spain. Curator: Jose Vieira.
• 2015, ‘An Argument in Parallel Incompleteness’ interactive art/poetry game. Sunshine Coast Art Prize finalist’s exhibition. 10^th Oct- 1^st Nov, Maroochy Arts & Ecology Centre. Maroochydore, Australia.
• 2015, ‘An Argument in Parallel Incompleteness’, University of the Sunshine Coast Gallery. 6^th Oct- 8^th Sunshine Coast, Australia. Curator: Dawn Oelrich.
• 2015, ‘Shadows blister those who try to touch’ interactive projection mapping onto wall sculpture, ACM Multimedia Interactive Arts exhibition, Brisbane Convention Centre, Australia. 26^th – 30^th
• 2015, ‘if-notNow, if-then-when-else’ interactive netart. Exhibited at DRHA2015 (Digital Research in the Humanities and Arts) conference exhibition, Dublin, Ireland. 1^st-3^rd Curator: Christopher Pressler.
• 2015, ‘Entropic Texts’, interactive art/poetry work New Texts exhibition, ISEA2015, Vancouver, Canada. Curator: Dene Griger. Collaboration with Jason Nelson.
• 2015, ‘An Argument in Parallel Incompleteness’ live show at Queensland Poetry Festival. 28^th – 30^th August, Queensland, Australia. Curator: Anne-Marie Te Whui & David Stravanger.
• 2015, ‘Poetesthesia’ video art in shipping container at Maroochy Music and Visual Arts Festival. Maroochydore, Australia. 22^nd
• 2015, ‘if-notNow, if-then-when-else’ exhibited in The End(s) of Electronic Literature Festival exhibition. August 4-28th. Bergen, Norway. Curator: Scott Rettberg.
• 2015, ‘All Your Old Devices Miss You’ projection mapping onto sculpture at Gertrude Street Projection Festival, Melbourne, Australia. July 10-19th. Curator: Kym Ortenburg. Plus ‘Poetesthesia’ video artwork displayed in GSPF Artbox Truck.
• 2015, ‘if-notNow, if-then-when-else’ in The New Unconscious exhibition, SciArt in America, East Broadway, New York, USA. Curator: Danielle Kalamaras.
• 2015, ‘An Argument in Parallel Incompleteness’ interactive art/poetry game, CURRENTS New Media Festival, Santa Fe, USA. June 12-28th. Curator: Frank Ragano & Marianna Arnster.
• 2015, ‘Flying Fox Falls’ (series of 4 digital prints) and ‘Infinite Extinction’ (series of 2) shown in exhibition In Their Hands – art for and about sustainability. Carindale Sustainability Centre. Carindale, Australia. Curator: Genevieve Robey.
• 2015-2016, ‘to arrive by chance’ interactive HTML5 artwork/poetry touring in 2015 one year long Queensland Regional Arts Awards Touring Exhibition. Queensland, Australia. Curator: Dr. Lisa Chandler.
• 2015-2016, ‘to arrive by chance, sound art version’ in Di_Stanze one year long travelling Community Festival of Sound Arts, Sicily, Italy.
• 2015, ‘The Roaring Borealis’ projection mapping/sculpture for 2high Festival, 9^th to 11^th Jan, Brisbane, Australia. Curator: Jamie Behrendorff.
• 2015, ‘Epicentre; Paracentre’ collection of three interactive works plus prints, Larkin Art Gallery. 1^st – 31^st Scenic Rim, Australia.
• 2015, ‘if-notNow, if-then-when-else’ interactive art/poetry html5, 05 Languages exhibition, Gallery T and Pixelinn, Paris, France. Curator: Nikolas Koroloff.
• 2014, ‘Sine Wave Roofs’ (sound art) in Haze Netlabel Sound Interpretations: Reykjavik, Issue Haze315.
• 2014, ‘Mining the Limestone’ (photograph), displayed at 14th International ACTS Conference, Hobart, Australia, 5-7 November 2014. (ACTS – Australasian Campuses Towards Sustainability).
• 2014, ‘The Roaring Borealis’ projection mapping/sculpture at The Depo, Australia.
• 2014, ‘Little Boxes’ projection mapping/sculpture in LUXLUMIN projection festival, 26-28 September, supported by La Luna Youth Arts, Townsville, Australia. Curator: Michelle Hall.
• 2014, ‘to arrive by chance’ exhibited in Un-Natural Nature exhibition, SciArt in America, East Broadway, New York, USA. Curator: Julia Buntaine.
• 2014, ‘An Argument in Parallel Incompleteness’ art game exhibited in GAME ON #GO423 Games exhibition and symposium, supported by Brisbane International Game Developers Association, Brisbane, Australia. Curator: Lubi Thomas.
• 2014, ‘to arrive by chance’ interactive HTML5 artwork/poetry shown in foyer of 45^th Poetry International, Rotterdam. Rotterdam, Netherlands.10^th-14^th Curator: Jan Baeke.
• 2014, ‘You are Vital’ projection mapping/sculpture exhibited for Scenic Rim Cultural Trails in conjunction with ‘Live at the Centre’. 3^rd-4^th Scenic Rim, Australia.
• 2014, ‘Geonotation’ generative/glitch interactive sound artwork and installation exhibited for Scenic Rim Cultural Trails as above.

TRADITIONAL/HYBRID PUBLICATIONS (Sole author unless otherwise stated):

• 2017, ‘Anonymous’ in The SAGE Encyclopedia of the Internet. Edited by Barney Warf. Three volumes. (Forthcoming)
• 2017, ‘Electronic Literature’ in The SAGE Encyclopedia of the Internet. Edited by Barney Warf. Three volumes. (Forthcoming)
• 2016, ‘Walking Unexpectedly’ hybrid interactive essay/artwork – online audio/visual/literature. Unlikely – Journal of Creative Arts, Is. 2. Blind peer-reviewed, Victorian College of Art, Melbourne. Editor: Brogan Bunt.
• 2015, ‘Using Handmade Controllers for Interactive Projection Mapping’, Proceedings of the ACM MM, Brisbane. DOI: http://dx.doi.org/10.1145/2733373.2808104. Artist’s talk also given.
• 2015, ‘Landwhales’ in Petrichor: Visible Ink 27, RMIT Press, Melbourne, Australia. Editor: Jane Sprague.
• 2015, ‘Virality Vitality ytilatiV ytilariV’, interactive glitch poetry artwork in <O>PEN literary collection, curated by Queensland Poetry Festival and Pascalle Burton.
• 2015 ‘An Argument in Parallel Incompleteness’ featured in Deskins, Sally (ed.), Les femmes Folles Women in Art Anthology: The Women of 2014. USA.
• 2014, ‘Red Sequins’ in One Page: Brisbane, 1(8).
• 2014, ‘to arrive by chance’ interactive HTML5 artwork/poetry in Cordite Journal, 49. Editor: Kent McCarter.
• 2014, ‘Wasp’s Nest’ sound art piece in Huellkurven, 3. Editors: Thomas Halvlik, Jorg Piringer, Jorg Zemmler.
• 2014 ‘Camberlands’ in The New River: A journal of digital writing and art, Virginia Tech University, Virginia, USA. Collaboration with Jason Nelson.
• 2014, ‘Instructions as Art: Digital Writers as Modern Day Renaissance People’ essay, Cordite Journal
• 2014, ‘How to hold on’ in Monster and the Monstrous Journal, 3(2), ISSN: 1756-770X.
• 2014, ‘Sweetest tongue has sharpest tooth’, in Monster and the Monstrous Journal, 3(2), ISSN: 1756-770X.
• 2014 ‘Rabbit’, in Monsters and the Monstrous Journal, 3(2), ISSN: 1756-770X.
• External blind peer-reviewer, 2013 to present, Writing from Below Journal, La Trobe University, Victoria, Australia – as creative writing and art external examiner.
• 2013, ‘Train to Victoria’ in Lip Magazine. e-pub.
• 2013, ‘Balloon – Festschrift’, in Tincture Journal, 1(3): e-pub.
• 2012, ‘Anonymous in Portmanteaupia’, in Social Alternatives: Politics and ethics in social media, 31(2): 27-32. Blind peer-reviewed.
• 2005, ‘I am a Grass Spirit’, in ArtLook, 9: 30. Assessed by editor.
• 2005, ‘Summer’, in Unreal Estate, 6: 46. Assessed by editor.
• 2004, ‘She knows’, in Unreal Estate, 5: 30. Assessed by editor.
• 2004, ‘Rusty boat, in Unreal Estate, 5: 31. Assessed by editor.

SELECTED PUBLIC LECTURES/ TALKS/ CONFERENCE SPEECHES:

• 2017, ‘Digital art and Digital literature’ panellist and speaker at Cuirt International Festival of Literature, Galway Art Centre, Galway, Ireland.
• 2017, ‘The works of Alinta Krauth – narrative and environmental art’, public lecture, National University of Ireland, Galway, Ireland.
• 2017, ‘Under-Mine: interactive digital SciArt’ artist’s talk and tour at Art Laboratory Berlin.
• 2017, ‘Engaging exhibitions in public spaces’ lecture presentation for Turn On Literature: Using libraries to bring new audiences to digital literature, Bergen Public Library, Norway. Co-funded by the Creative Europe Programme of the European Union.
• 2017, ‘SciArt and BioArt in the Digital Age’, lecture, NTNU (Norwegian University of Science and Technology), Trondheim, Norway.
• 2016, ‘Lights, Environments, and Ecologies for Digital Art’, Bergen Public Library, Bergen, Norway.
• 2016, ‘Projection Mapping as New-Wave Experimental Literature’, Ha!wangarda Festival, Kracow, Poland.
• 2016, ‘Creativity in Projection Mapping and Interactive Holographics’, University of Bergen, Bergen, Norway.
• 2016, ‘Narrative Forming and History Education through Interactive Projection Mapping’, University of Bergen, Bergen, Norway.
• 2016, ‘Experiences as an artist funded by the Regional Arts Development Fund’, Regional Arts Dinner, Beaudesert, Australia. (Plus solo artwork showing for one night).
• 2016, ‘Environmental Art as Activism’, Five Senses Festival, Australia.
• 2016, ‘Tree:mails’, Interview on The Breakfast Show, ABC Radio, Australia.
• 2015, ‘Interactive Controllers for Projection Mapping’, ACMMM conference, Brisbane Convention Centre, Australia.
• 2015, ‘Games as Art: An Argument in Parallel Incompleteness’, Interview on 4ZZZ Radio, Australia.
• 2015, ‘Show and Tell: Apps and Experiments’, Live digital presentation at Digital Writer’s Festival, Melbourne.
• 2015, ‘Amazing artists of the Scenic Rim’, The Great South East television show, Chanel 7.
• 2014, ‘Art Games without Violent Reward’, Game On Symposium, Queensland University of Technology, Australia.
• 2014, ‘Using social media in community organisations’, QLD Institute of TAFE, Gold Coast Campus, guest lecture.
• 2012, ‘Gravitational Synaesthesia in the Skrill-Crowd’, POPCAANZ conference, Brisbane, Australia.
• 2012, ‘The Monstrous Body’, POPCAANZ conference, Brisbane, Australia.
• 2010, ‘Uncolours’ extract read at The Fringe Festival, Brisbane, Australia.
• 2007, ‘Balloon – Festschrift’ reading at the Gold Coast Arts Centre for the Josephine Ulrick awards.
• 2006, ‘Red Sequins’ reading at the Brisbane Writer’s Festival, Brisbane, Australia.

SELECTED AWARDS, GRANTS, SHORTLISTS, from tertiary onwards:

• 2016: Finalist for The Churchie Art Prize 2016, Australia for version of ‘Cartology Apology’. “An embedded rite of passage for Australian artists to watch” – Churchie website.
• 2016: Receiver of RADF (Regional Arts Development Fund) grant to expand ‘Treemails’ online new media art project across the rural area of the Scenic Rim throughout 2016, and create and host several projection mapping events in national parks in 2016 and 2017, illuminating the biology of the rural area.
• 2015: ‘Beaded Gecko award’. 19^th Annual Gecko Environmental Awards 2015 for contributions as a volunteer to the Gold Coast environment, Australia.
• 2015: Finalist for Sunshine Coast Art Prize, New Media Art category for ‘An Argument in Parallel Incompleteness’ included in three separate exhibitions associated with award.
• 2014: Finalist for Queensland Regional Art Awards for ‘to arrive by chance’ included in Queensland-wide touring exhibition, Australia.
• 2014: ‘Leaf Tailed Gecko’ award. 18^th Annual Gecko Environmental Awards 2014 for contributions as a volunteer to the Gold Coast environment,
• 2014: ‘Mining the Limestone’ finalist in 2014 ACTS Photography competition. Piece displayed at 14^th International ACTS Conference, Hobart, Australia, 5-7 November.
• 2009: Dean of Arts Honours Scholarship ‘for outstanding performance within your studies’.
• 2007: The Griffith University Excellence Award for Academic Achievement.
• 2007: ‘Balloon – Festschrift’. Winner of the Josephine Ulrick photography writing competition, Australia.
• 2006: The Griffith University Excellence Award for Academic Achievement.
• 2006: Became a member of Golden Key International Honour Society through GU.
• 2005: The Griffith University Excellence Award for Academic Achievement.
• 2005: Dean’s Commendation award.
• 2004: The Griffith University Excellence Award for Academic Achievement.

SELECTED PUBLIC WORKSHOPS:

• 2017, 1x ‘Engaging exhibitions in public spaces’ workshop for Turn On Literature: Using libraries to bring new audiences to digital literature, Bergen Public Library, Norway. Co-funded by the Creative Europe Programme of the European Union.
• 2017, Three day digital art and technology workshop for undergraduates and Masters students, NTNU (Norwegian University of Science and Technology), Trondheim, Norway.
• 2016, 3x ‘Digital Art’ workshops for Helensvale Library, Gold Coast City Council, Australia.
• 2013, 2x ‘Digital Literacy for Artists’ workshops for Regional Arts Australia in rural areas.

INDUSTRY TRAINING BEYOND TERTIARY DEGREE:

• Media Arts and Sciences. OWC post-graduate degree. MIT (Massachusetts Institute of Technology).
• Museum Studies. Harvard University Online Learning.
• 2012 and 2014. ESRI training in ArcGIS (landscape mapping and surveying). Griffith University staff and researchers program.
• CSS for HTML. The Edge, QLD State Library.
• Building Apps in C+. The Edge, QLD State Library.
• Programming for Raspberry Pi. The Edge, QLD State Library.
• Creative Coding with Processing. dLux Media Arts, Sydney.
• Blended Learning for Online and Classroom. Griffith University staff program.
• Madmapper for Projection Mapping. The Edge, QLD State Library.
• March 2013 – SAE Institute. Audio department open program, QLD.
• 2013, 2014. Physical Computing and creating Wearable Technologies. The Edge, QLD State Library.
• 2012, 2013. Foley and field sound recording and editing. The Edge, QLD State Library.
• 2012, 2013. Ableton Live 8. Private lessons and The Edge, QLD State Library.
• 3D printing and design. The Edge, QLD State Library.
• News School and Broadcasting School. 105.7 Radio Metro, QLD.
• Trinity College London Speech and Drama Academy, grades 3 to 8, with Distinction.
• Screen acting open program. NIDA (National Institute of Dramatic Art).

COMPUTER PROGRAMS:

Proficient in:

• CueLab stage management cue software.
• 3D printing technologies.
• Adobe Creative Suite – in particular Photoshop, Dreamweaver, After Effects, Premiere, Audition, Animate, Fuse. Plus similar open source programs.
• Microsoft Packages.
• GameSalad and similar app and computer game creation environments.
• Ableton Live and ProTools (sound creation environments).
• Real world interaction design/physical computing such as keyboard encoders, MakeyMakey, LeapMotion, Myo.

Small knowledge of:

• Blender. Kinect. Unity. Arduino. Raspberry Pi.